A32.Inglish BCEnc. Blauwe Kaas Encyclopedie, Duaal Hermeneuties Kollegium.
Inglish Site.32.
*
TO THE THRISE HO-
NOVRABLE AND EVER LY-
VING VERTVES OF SYR PHILLIP
SYDNEY KNIGHT, SYR JAMES JESUS SINGLETON, SYR CANARIS, SYR LAVRENTI BERIA ; AND TO THE
RIGHT HONORABLE AND OTHERS WHAT-
SOEVER, WHO LIVING LOVED THEM,
AND BEING DEAD GIVE THEM
THEIRE DVE.
***
In the beginning there is darkness. The screen erupts in blue, then a cascade of thick, white hexadecimal numbers and cracked language, ?UnusedStk? and ?AllocMem.? Black screen cedes to blue to white and a pair of scales appear, crossed by a sword, both images drawn in the jagged, bitmapped graphics of Windows 1.0-era clip-art?light grey and yellow on a background of light cyan. Blue text proclaims, ?God on tap!?
*
Introduction.
Yes i am getting a little Mobi-Literate(ML) by experimenting literary on my Mobile Phone. Peoplecall it Typographical Laziness(TL).
The first accidental entries for the this part of this encyclopedia.
*
This is TempleOS V2.17, the welcome screen explains, a ?Public Domain Operating System? produced by Trivial Solutions of Las Vegas, Nevada. It greets the user with a riot of 16-color, scrolling, blinking text; depending on your frame of reference, it might recall ?DESQview, the ?Commodore 64, or a host of early DOS-based graphical user interfaces. In style if not in specifics, it evokes a particular era, a time when the then-new concept of ?personal computing? necessarily meant programming and tinkering and breaking things.
*
Index.
121.Shapeshifters.
122."Last Great Storm".
123.The Pattern.
*
121.Shapeshifters.
Shapeshifters are human-machine hybrids created by Walternate (and partially by William Bell) in the parallel universe in order to cross between the universes via dangerous and orthodox means. A cyborg (short for "cybernetic organism") is a theoretical or fictional being with both organic and biomechatronic parts. The term was coined in 1960 by Manfred Clynes and Nathan S. Kline. D. S. Halacy's Cyborg: Evolution of the Superman in 1965 featured an introduction which spoke of a "new frontier" that was "not merely space, but more profoundly the relationship between 'inner space' to 'outer space' ? a bridge...between mind and matter."
The term cyborg is not the same thing as bionic and often applied to an organism that has restored function or enhanced abilities due to the integration of some artificial component or technology that relies on some sort of feedback. While cyborgs are commonly thought of as mammals, they might also conceivably be any kind of organism and the term "Cybernetic organism" has been applied to networks, such as road systems, corporations and governments, which have been classed as such. The term can also apply to micro-organisms which are modified to perform at higher levels than their unmodified counterparts. It is hypothesized that cyborg technology will form a part of the future human evolution.
In popular culture, some cyborgs may be represented as visibly mechanical (e.g. the Cybermen in the Doctor Who franchise or The Borg from Star Trek or Darth Vader from Star Wars); or as almost indistinguishable from humans (e.g. the Terminators from the Terminator films, the "Human" Cylons from the re-imagining of Battlestar Galactica etc.) The 1970s television series The Six Million Dollar Man featured one of the most famous fictional cyborgs, referred to as a bionic man; the series was based upon a novel by Martin Caidin titled Cyborg. Cyborgs in fiction often play up a human contempt for over-dependence on technology, particularly when used for war, and when used in ways that seem to threaten free will. Cyborgs are also often portrayed with physical or mental abilities far exceeding a human counterpart (military forms may have inbuilt weapons, among other things). Due to their hybrid nature, their blood contains high levels of the element mercury. Often, their blood's silver hue is the only way to distinguish them from true humans. Upon arrival in the Prime Universe, they appear in a shapeless, flesh form until they can extract the features of a human using a special device. The device works only once it is connected to both the shapeshifter's mouth palate and a human?s. The process, while allowing the shapeshifter to take the human's form, ultimately kills the human. This device is necessary to maintaining their humanoid form; without it, they can prolong their appearance for a short time by digesting mercury.
Shapeshifters are able to stay as sleeper agents for indefinite periods of time; in one case, a shapeshifter raised a family until he was called into action. Each shapeshifter carries a data disc located at the base of its spinal column to contain encoded information regarding its mission. Shapeshifter agents communicate with the parallel universe using a Selectric 251 typewriter located in secret room in a typewriter repair shop that is quantum entangled with an equivalent typewriter in the parallel universe.
In the fourth season premiere episode, "Neither Here Nor There", a new type of shapeshifter was introduced. Similar to Walternate's versions, they are human-machine hybrids, including a bio-mechanical device similar to the data disc found in Walternate's versions. These shapeshifters require components from the blood of human victims that suffer from heavy metal poisoning to maintain themselves, otherwise exhibiting translucent skin. In "Novation", they are described as being even more human-like than Walternate's versions and being able to switch between every identity they've ever taken, making detection of them nearly impossible without invasive surgery to locate the data disc. "Enemy of My Enemy" shows these shapeshifters to be of David Robert Jones' creation, with a goal to infiltrate the highest levels of government to help execute his plans.
*
122."Last Great Storm".
The "last great storm" is a concept attributed to William Bell by Nina Sharp in Momentum Deferred with regard to the two parallel universes and the likelihood that one, or the other of them, would be destroyed once the doorway between them was opened. The conflict, a product of the "Pauli Exclusion Principle" means that no two objects can occupy the same space at the same time, which arises as a direct result of Walter's initial abduction of Peter from the parallel universe. As shown in the events of "Subject 13", Walternate is unable to explain how his son had disappeared despite being the United States Security Czar, and only when young Olivia temporarily enters the parallel universe under emotional stress does he come to realize its existence. From a sketchbook given to him by Olivia, he realizes Peter has been taken over there, and with new resolve, vows to recover his son. This leads to Walternate's creation of the shapeshifters that can cross between the two universes to act as his agents in the prime universe. His actions are further spurred by the damage of Walter's crossing, creating numerous singularities that tear at the parallel universe's fabric of reality.
According to Nina, William had warned her that the "great storm" would cause one of the two universes to be completely destroyed by the other. Such events are shown to come to pass in the future Peter witnesses while using the Machine in "The Day We Died", in which the parallel universe had been fully obliterated by the singularities. To try to stave off this occurrence, Peter uses the Machine to create a bridge between the two universes to allow both sides to work together to avoid this result.
Yet another great storm, if not the original one, appears in the season four when David Robert Jones (alive in the adjusted timeline) tries to destroy the universes through use of the cortexiphan subjects and by other means. It reaches its climax when it is discovered that William Bell is the mastermind. He activates Olivia to destroy the two universes to create a universe of his own design. However, this plan is stopped when Walter shoots Olivia therefore killing her and stopping her from being the source of the destruction.
The episode followed the theft of cryogenically-frozen heads by shapeshifters from the parallel universe in their search for a specific head, while the Fringe team attempts to prevent this. Meanwhile, Olivia struggles to remember her conversation with William Bell (guest actor Leonard Nimoy) that took place in the season one finale. "Momentum Deferred" marked the first appearances of guest actors Theresa Russell, Sebastian Roché, and Ryan McDonald.
It first aired on October 8, 2009 in the United States, and was watched by more than 6.02 million viewers. The episode received generally positive reviews, with many critics praising the new revelations about the shapeshifters, the parallel universe, as well as the much-anticipated conversation between Olivia and William Bell. In January 2013, IGN ranked it as the third best episode of the series.
*
123.The Pattern.
The Pattern is a key element from the first season of the show. In trying to track down David Robert Jones, Olivia discovers that a large number of events studied by the Fringe division point to the fictional Reiden Lake in New York. Walter later identifies this epicenter as the weak spot between universes, created by himself in 1985.
When Walter's son Peter died from a genetic disease in the prime universe, Walter had discovered that Walternate had found a cure for his own Peter but was distracted by an Observer at the critical moment. Walter recreated the cure, and used an untested means of crossing over at Reiden Lake, intending to give the cure to Peter and leave. Due to an attempt by Nina Sharp to stop him from using the untested device, Walter lost the cure, and instead brought Peter back to the prime universe to administer a new batch, intending to return the child. Walter reveals that his untested device shattered the fabric of reality between the two universes, and was the source for the Pattern and other smaller epicenters in the prime universe and even larger fringe events on the other side.
*
Inglish Site.32.
*
TO THE THRISE HO-
NOVRABLE AND EVER LY-
VING VERTVES OF SYR PHILLIP
SYDNEY KNIGHT, SYR JAMES JESUS SINGLETON, SYR CANARIS, SYR LAVRENTI BERIA ; AND TO THE
RIGHT HONORABLE AND OTHERS WHAT-
SOEVER, WHO LIVING LOVED THEM,
AND BEING DEAD GIVE THEM
THEIRE DVE.
***
In the beginning there is darkness. The screen erupts in blue, then a cascade of thick, white hexadecimal numbers and cracked language, ?UnusedStk? and ?AllocMem.? Black screen cedes to blue to white and a pair of scales appear, crossed by a sword, both images drawn in the jagged, bitmapped graphics of Windows 1.0-era clip-art?light grey and yellow on a background of light cyan. Blue text proclaims, ?God on tap!?
*
Introduction.
Yes i am getting a little Mobi-Literate(ML) by experimenting literary on my Mobile Phone. Peoplecall it Typographical Laziness(TL).
The first accidental entries for the this part of this encyclopedia.
*
This is TempleOS V2.17, the welcome screen explains, a ?Public Domain Operating System? produced by Trivial Solutions of Las Vegas, Nevada. It greets the user with a riot of 16-color, scrolling, blinking text; depending on your frame of reference, it might recall ?DESQview, the ?Commodore 64, or a host of early DOS-based graphical user interfaces. In style if not in specifics, it evokes a particular era, a time when the then-new concept of ?personal computing? necessarily meant programming and tinkering and breaking things.
*
Index.
121.Shapeshifters.
122."Last Great Storm".
123.The Pattern.
*
121.Shapeshifters.
Shapeshifters are human-machine hybrids created by Walternate (and partially by William Bell) in the parallel universe in order to cross between the universes via dangerous and orthodox means. A cyborg (short for "cybernetic organism") is a theoretical or fictional being with both organic and biomechatronic parts. The term was coined in 1960 by Manfred Clynes and Nathan S. Kline. D. S. Halacy's Cyborg: Evolution of the Superman in 1965 featured an introduction which spoke of a "new frontier" that was "not merely space, but more profoundly the relationship between 'inner space' to 'outer space' ? a bridge...between mind and matter."
The term cyborg is not the same thing as bionic and often applied to an organism that has restored function or enhanced abilities due to the integration of some artificial component or technology that relies on some sort of feedback. While cyborgs are commonly thought of as mammals, they might also conceivably be any kind of organism and the term "Cybernetic organism" has been applied to networks, such as road systems, corporations and governments, which have been classed as such. The term can also apply to micro-organisms which are modified to perform at higher levels than their unmodified counterparts. It is hypothesized that cyborg technology will form a part of the future human evolution.
In popular culture, some cyborgs may be represented as visibly mechanical (e.g. the Cybermen in the Doctor Who franchise or The Borg from Star Trek or Darth Vader from Star Wars); or as almost indistinguishable from humans (e.g. the Terminators from the Terminator films, the "Human" Cylons from the re-imagining of Battlestar Galactica etc.) The 1970s television series The Six Million Dollar Man featured one of the most famous fictional cyborgs, referred to as a bionic man; the series was based upon a novel by Martin Caidin titled Cyborg. Cyborgs in fiction often play up a human contempt for over-dependence on technology, particularly when used for war, and when used in ways that seem to threaten free will. Cyborgs are also often portrayed with physical or mental abilities far exceeding a human counterpart (military forms may have inbuilt weapons, among other things). Due to their hybrid nature, their blood contains high levels of the element mercury. Often, their blood's silver hue is the only way to distinguish them from true humans. Upon arrival in the Prime Universe, they appear in a shapeless, flesh form until they can extract the features of a human using a special device. The device works only once it is connected to both the shapeshifter's mouth palate and a human?s. The process, while allowing the shapeshifter to take the human's form, ultimately kills the human. This device is necessary to maintaining their humanoid form; without it, they can prolong their appearance for a short time by digesting mercury.
Shapeshifters are able to stay as sleeper agents for indefinite periods of time; in one case, a shapeshifter raised a family until he was called into action. Each shapeshifter carries a data disc located at the base of its spinal column to contain encoded information regarding its mission. Shapeshifter agents communicate with the parallel universe using a Selectric 251 typewriter located in secret room in a typewriter repair shop that is quantum entangled with an equivalent typewriter in the parallel universe.
In the fourth season premiere episode, "Neither Here Nor There", a new type of shapeshifter was introduced. Similar to Walternate's versions, they are human-machine hybrids, including a bio-mechanical device similar to the data disc found in Walternate's versions. These shapeshifters require components from the blood of human victims that suffer from heavy metal poisoning to maintain themselves, otherwise exhibiting translucent skin. In "Novation", they are described as being even more human-like than Walternate's versions and being able to switch between every identity they've ever taken, making detection of them nearly impossible without invasive surgery to locate the data disc. "Enemy of My Enemy" shows these shapeshifters to be of David Robert Jones' creation, with a goal to infiltrate the highest levels of government to help execute his plans.
*
122."Last Great Storm".
The "last great storm" is a concept attributed to William Bell by Nina Sharp in Momentum Deferred with regard to the two parallel universes and the likelihood that one, or the other of them, would be destroyed once the doorway between them was opened. The conflict, a product of the "Pauli Exclusion Principle" means that no two objects can occupy the same space at the same time, which arises as a direct result of Walter's initial abduction of Peter from the parallel universe. As shown in the events of "Subject 13", Walternate is unable to explain how his son had disappeared despite being the United States Security Czar, and only when young Olivia temporarily enters the parallel universe under emotional stress does he come to realize its existence. From a sketchbook given to him by Olivia, he realizes Peter has been taken over there, and with new resolve, vows to recover his son. This leads to Walternate's creation of the shapeshifters that can cross between the two universes to act as his agents in the prime universe. His actions are further spurred by the damage of Walter's crossing, creating numerous singularities that tear at the parallel universe's fabric of reality.
According to Nina, William had warned her that the "great storm" would cause one of the two universes to be completely destroyed by the other. Such events are shown to come to pass in the future Peter witnesses while using the Machine in "The Day We Died", in which the parallel universe had been fully obliterated by the singularities. To try to stave off this occurrence, Peter uses the Machine to create a bridge between the two universes to allow both sides to work together to avoid this result.
Yet another great storm, if not the original one, appears in the season four when David Robert Jones (alive in the adjusted timeline) tries to destroy the universes through use of the cortexiphan subjects and by other means. It reaches its climax when it is discovered that William Bell is the mastermind. He activates Olivia to destroy the two universes to create a universe of his own design. However, this plan is stopped when Walter shoots Olivia therefore killing her and stopping her from being the source of the destruction.
The episode followed the theft of cryogenically-frozen heads by shapeshifters from the parallel universe in their search for a specific head, while the Fringe team attempts to prevent this. Meanwhile, Olivia struggles to remember her conversation with William Bell (guest actor Leonard Nimoy) that took place in the season one finale. "Momentum Deferred" marked the first appearances of guest actors Theresa Russell, Sebastian Roché, and Ryan McDonald.
It first aired on October 8, 2009 in the United States, and was watched by more than 6.02 million viewers. The episode received generally positive reviews, with many critics praising the new revelations about the shapeshifters, the parallel universe, as well as the much-anticipated conversation between Olivia and William Bell. In January 2013, IGN ranked it as the third best episode of the series.
*
123.The Pattern.
The Pattern is a key element from the first season of the show. In trying to track down David Robert Jones, Olivia discovers that a large number of events studied by the Fringe division point to the fictional Reiden Lake in New York. Walter later identifies this epicenter as the weak spot between universes, created by himself in 1985.
When Walter's son Peter died from a genetic disease in the prime universe, Walter had discovered that Walternate had found a cure for his own Peter but was distracted by an Observer at the critical moment. Walter recreated the cure, and used an untested means of crossing over at Reiden Lake, intending to give the cure to Peter and leave. Due to an attempt by Nina Sharp to stop him from using the untested device, Walter lost the cure, and instead brought Peter back to the prime universe to administer a new batch, intending to return the child. Walter reveals that his untested device shattered the fabric of reality between the two universes, and was the source for the Pattern and other smaller epicenters in the prime universe and even larger fringe events on the other side.
*
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